Vienna’s long musical history has encompassed a number of fascinating what-ifs. What if Mozart hadn’t died at only 35? Or Schubert at 31? Or Hans Rott at the even more tragically early age of 25? Hans Rott?? You can read his (perforce) short biography here. Together with Schubert and Schönberg, he was one of the few […]
Mugshots of some of the most famous musicians to grace our planet. Haydn, Mozart, Beethoven and (sometimes) Schubert are frequently lumped together under the blanket heading of the First Viennese School. But, unlike the Second Viennese School (Schönberg, Berg and Webern – of whom more next week), in the case of these four mostly Vienna […]
St. Stephen’s Cathedral – the heart of Vienna: here Haydn was a chorister and later got married; here, too, Mozart married his Constanze and later christened his children; Johann Strauss the younger was also married here, while the cathedral’s register of deaths contains many illustrious musical names including those of Vivaldi and Schubert. The importance of […]
All music in Russia stems from Glinka. Igor Stravinsky Yes, I know I’m (aptly – see below) repeating myself [From Acorn to Oak, October 2012], but Stravinsky’s opinion is just as valid now as it was six years ago. It’s really impossible to discuss the influence of Russian folk music on the rise of that […]
Latin America’s rich but bewildering cultural mix of native, Spanish, Portuguese, African and a few other traditions has produced an astonishing variety of musics. From the dance rhythms of the Dominican Republic’s Bachata to the aerobics of the Zumba and from the Bach/Brazilian hommages of Heitor Villa-Lobos’ Bachianas Brasileiras… w …to the Argentinian, Astor Piazzolla’s Nuevo Tango… […]
To the folksong collector during the first decade of the twentieth century Hungary afforded immeasurable opportunity. It is true that the isolated mediæval pattern of life of the peasantry had slowly changed… but peasant culture remained as it always had been, although economic and political conditions were completely altered. Nevertheless, when Bartók and Kodály […]
