There are people who, through some flaw or other in their personality, acquire a bad reputation, a reputation which then proceeds to dog them throughout history to the detriment of several other sterling qualities: one such is poor Anatoly Lyadov. He wasn’t poor, not in the pecuniary sense, anyway. A scion of a well-to-do St.Petersburg […]
André Caplet’s Conte Fantastique for harp and string quartet is an example of a francophone fascination with the writings of Edgar Allen Poe that started during during the latter part of the nineteenth century – indeed it’s been argued that Poe, at this time, was better known in France than in his native America. This […]
Unusually, it’s the pace (peace) word that’s predominant in Fauré’s setting of the Requiem, the Mass for the Dead. Many composers – Mozart, Berlioz, Verdi, to name but the most famous – seem to have taken a certain grisly and theatrical delight in portraying the terrors of the Day of Judgement as depicted in the […]
Moonlight. Verlaine’s poetry translated by Fauré & Debussy …Au calme clair de lune triste et beau, Qui fait rêver les oiseaux dans les arbres Et sangloter d’extase les jets d’eau, Les grands jets d’eau sveltes parmi les marbres. Paul Verlaine: Clair de lune from Fêtes galantes […In the calm moonbeams, sad and beautiful, Which make […]
Music for children: French composers have provided some of the most famous. There’s Bizet’s Jeux d’enfants, Debussy’s Children’s Corner, Ravel’s Ma Mère l’Oye and, of course, Fauré’s Dolly Suite. Some were written for children to listen to, and some for – albeit pretty musically gifted – children to play. Judging from the photo above (Fauré […]
This brief overview of Vienna’s musical history has dealt almost exclusively with composers, but it would be very unfair to conclude any examination of the city’s musical life without mention of two of Vienna’s major institutions: the State Opera and the Vienna Philharmonic (in point of fact the opera and symphony orchestras are, for all […]
John Martin’s terrifying vision of the apocalypse has several musical equivalents. Apart from the many settings of the Requiem Mass’s Dies irae (think Berlioz, think Verdi), there are two famous musical Judgement Days that are the work of composers very much associated with Vienna: Mahler’s Resurrection Symphony (Symphony No. 2 in c) and Franz Schmidt’s […]
