Not the Weill/Anderson/Sinatra version – fine though it is – but, to end this short concert series, we have a September Song by Richard Strauss that’s nearly (or arguably, just) as famous. It’s preceded by two separate and very different musical days of high Summer, one from America, one from Bohemia; plus – in case […]
Category Archives: Song
On the idle hill of summer,Sleepy with the flow of streams… Concert: A. E. Housman’s dark rural world in A Shropshire Lad, with its contrasts of pastoral beauty and human tragedy, finds its musical equivalent in the work of George Butterworth; firstly, in Butterworth’s settings of Housman’s verse for voice and piano and then in […]
Five pieces for the Summer sunrise: Concert: First, Reis glorios (Glorious King), a 12th century alba by Guiraut de Bornelh, who was styled the ‘master of the troubadours’. The alba (Occitan) or alborada (Spanish) or aubade (French) is a dawn song. After the (hopeful, on the part of the singer, anyway) seduction of the evening […]
Concert: To start at a specific movement just click on its title. Samuel Barber: Four Songs, Op. 13: III.Sure on this Shining NightText by James Agee Sure on this Shining Night Sure on this shining nightOf star made shadows round,Kindness must watch for meThis side the ground.The late year lies down the north.All is healed, […]
There are certain poems that attract composers like bees to flowers; one such is Paul Verlaine’s La lune blanche. A quick song tally arrived at a total of at least 137(!) different settings of the poem, and that’s just in the original French – there were lots more that had been set in translation. Here […]
Fauré wasn’t the only gifted composer of mélodies of his generation; Henri Duparc (1848 – 1933) is also (justly) famous for his talents as a song composer. Duparc, like his younger Austrian contemporary, Hugo Wolf, only produced a handful of music before – again like Wolf – he succumbed to a mental illness that forced […]
The English language, famed for the expansiveness of its vocabulary, is rather surprisingly coy when it comes to the idea of song. Sure, you can have all sorts of songs, but you generally need some type of qualifier to tell your listeners or readers whether you’re referring to a pop song, art song, folk song […]
Latin America’s rich but bewildering cultural mix of native, Spanish, Portuguese, African and a few other traditions has produced an astonishing variety of musics. From the dance rhythms of the Dominican Republic’s Bachata to the aerobics of the Zumba and from the Bach/Brazilian hommages of Heitor Villa-Lobos’ Bachianas Brasileiras… w …to the Argentinian, Astor Piazzolla’s Nuevo Tango… […]
In a league table of composers who have made a career out of exquisite misery (several names come to mind!), John Dowland must, surely, come somewhere near the top. w Flow, my tears, fall from your springs! Exiled for ever, let me mourn; Where night’s black bird her sad infamy sings, There let me live […]
Liederjahr = the Year of Song. Two years prior to 1842’s splurge of chamber music, Schumann, with the same monomania/single-mindedness that he was to lavish on the string quartet and piano quartet and quintet, spent most of 1840 writing songs. He managed in that one year to produce a grand total of 138 of them! Amongst […]
