Faust

Mahler’s Eighth Symphony doesn’t conform to the traditional four movement  symphonic layout. It’s in two parts, the first of which is a version, for orchestra, soloists and full chorus, of the 9th century Latin hymn Veni Creator Spiritus (Come, Creative Spirit); while the second uses the same forces to set the final part of Goethe’s Faust. […]

Nightmusic

The first movement of Mahler’s seventh symphony, with its dissonant opening and use of piled fourths, is the most ‘modern’ music that the composer had, up to this point, attempted; foreshadowing not only Mahler’s own later works but also those of Schönberg and his pupils. Much of  the symphony takes place in twilight. There are […]