Prelude & Fugue 2 in c
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Tuning can be a source of some curmudgeonliness on the part of both players and listeners (‘he always plays sharp!’ …‘Who’s got the third? Hmmm – it could be a bit brighter, couldn’t it?’ …‘the intonation in that Allegro was distinctly iffy’, etc.) So, how does tuning work? Is it fixed for every note? What does Bach mean