Beginnings & ends

Dvořák’s fourteen string quartets cover most of his creative output – the first was written when he was just twenty-one and the 14th when he was fifty-four.

Like so many composers, Dvořák was a viola player, and so it’s hardly surprising that, from his very earliest compositions, his string writing is of a very high order. Here’s that first quartet:

00:00 Andante. Allegro
08:20 Adagio affettuoso ed appassionato
16:58 Allegro scherzando
22:13 Allegro animato

Influences? Schubert and Mendelssohn maybe, but there’s a very healthy dollop of Dvořák in there as well!


Compare that with his last published work for the medium (the 14th was actually published before it), the thirteenth quartet:

Allegro moderato0:00
Adagio ma non troppo9:15
Molto vivace19:29
Finale. Andante sostenuto — Allegro con fuoco25:52

It’s mature Dvořák at its best.


Maybe the first quartet is too overflowing with ideas and its shape doesn’t cohere well when compared to the later quartet, but it’s still a very fine piece of writing. And the 13th quartet? I would contend it’s among the finest works for the medium written in the second half of the 19th century.

What do you think?