A different sort of Requiem

Schumann’s Requiem für Mignon, as its title might suggest, isn’t a setting of the standard liturgical text of the mass for the dead. The words come from Goethe’s novel Wilhelm Meister and Mignon is the strange young girl whose poem (much set by composers) Kennst du das Land, wo die Zitronen blühn (Do you know the land where […]


1842 was Robert Schumann’s chamber music year. Not only did he complete three string quartets but the year also saw the composition of both a piano quartet (violin, viola, cello, piano) and a piano quintet (string quartet, piano). The Quintet is one of Schumann’s best known and, arguably, finest works; it was composed during September […]