The last five years of Schubert’s life. Just five years? Doesn’t seem that long, does it? But, in a life span of a mere thirty-one — once you take away ten or so years for childhood — those five years come to represent a quarter of the composer’s mature life and, in terms of composition, the […]
w Our logo/featured image for this term – based on an early Augener edition of Mendelssohn’s 42 Songs Without Words for piano – comes to us courtesy of the artistic skills of Bill Bytheway. Thanks Bill!
By all accounts Mendelssohn found the writing of concertos difficult. His main problem, it seems, was finding a balance between the – almost inevitable – virtuoso, show off/exhibitionist element of the concerto and the serious/profound music that he felt he should write. Despite –or maybe because of – the difficulty in reconciling these opposites(?), the composer […]
Not the work of your average 16 year old, but Mendelssohn’s Octet seems to capture brilliantly the feral excitement, boundless energy and sheer joie de vivre of youth. And so that’s where we’ll begin, with a work by a boy who in his mid adolescence produced this, one of the masterpieces of a century peopled […]
Monsieur Croche? Who’s he? In 1901 Debussy – always anxious to augment his sparse income – landed the job of music critic for the Parisian arts journal, La Revue Blanche. He used his articles not just to review the concerts he’d attended but also as a soapbox from which to express his (very Debussyan!) ideas on […]
The sonata for flute, viola and harp is the second of Debussy’s projected ‘six sonates pour divers instruments’ of which he only managed to complete three before his death. As you can see his publishers, Durand, (posthumously) respected the composer’s intentions, printing a cover describing the sonata as the second of six (despite the fact […]
There’s something frightening about the string quartet. It’s the tradition, I suppose – Haydn, Mozart, Beethoven and Schubert all poured some of their best and most profound music into the medium, and that makes the standard for the young, aspiring composer pretty high(!!). So, when the thirty-or-so year old Debussy came to tackle a quartet, he […]