A worthy wyght

Goe Nightly Cares: Fretwork, Michael Chance, Christopher Wilson, Elizabeth Liddle …Tallis is dead, and Music dies… This is part of Byrd’s Ye Sacred Muses, a lament on the death of his mentor, friend, colleague and the godfather of his son Thomas (no doubt called after his illustrious namesake). Many of the details of Tallis’s life are obscure. He seems to […]

A veritable jeremiad

Ierusalem, Ierusalem convertere ad Dominum Deum tuum. [Jerusalem, Jerusalem, return unto the Lord thy God.] The Clerks of New College, Oxford; Edward Higginbottom, Tallis: Lamentations For some yet-to-be-fathomed reason there was a spate of settings of the Lamentations of Jeremiah during the Tudor era; though, with state religion toggling back and forth between Catholicism and […]

Critical mass

Byrd: Mass for 3 voices Pro Arte Singers. Paul Hillier The opening of the Byrd 3-part mass. The composer produced three settings of the liturgical text: in four parts (published 1592-93); three parts (1593-94) and five parts (1594-95). Since Catholicism was proscribed under Elizabeth I, they seem to have been intended for single voice performance […]

A bad knight

When, early in 1847, the Schumanns returned home to Dresden from a concert tour, Robert found himself all fired up with the idea of writing an opera. He chose (surprise! surprise!) a romantic tale of crusades, knights and damsels in distress (with a bit of magic thrown in for good measure). The story centres on […]