Requiem: Requiescat in pace?

Unusually, it’s the pace (peace) word that’s predominant in Fauré’s setting of the Requiem, the Mass for the Dead. Many composers – Mozart, Berlioz, Verdi, to name but the most famous – seem to have taken a certain grisly and theatrical delight in portraying the terrors of the Day of Judgement as depicted in the […]

Duparc

Fauré wasn’t the only gifted composer of mélodies of his generation; Henri Duparc (1848 – 1933) is also (justly) famous for his talents as a song composer. Duparc, like his younger Austrian contemporary, Hugo Wolf, only produced a handful of music before – again like Wolf – he succumbed to a mental illness that forced […]

Mélodie Maker

The English language, famed for the expansiveness of its vocabulary, is rather surprisingly coy when it comes to the idea of song. Sure, you can have all sorts of songs, but you generally need some type of qualifier to tell your listeners or readers whether you’re referring to a pop song, art song, folk song […]

The end of days

John Martin’s terrifying vision of the apocalypse has several musical equivalents. Apart from the many settings of the Requiem Mass’s Dies irae (think Berlioz, think Verdi), there are two famous musical Judgement Days that are the work of composers very much associated with Vienna: Mahler’s Resurrection Symphony (Symphony No. 2 in c) and Franz Schmidt’s […]

Latin

Latin America’s rich but bewildering cultural mix of native, Spanish, Portuguese, African and a few other traditions has produced an astonishing variety of musics. From the dance rhythms of the Dominican Republic’s Bachata to the aerobics of the Zumba and from the Bach/Brazilian hommages of Heitor Villa-Lobos’ Bachianas Brasileiras… w …to the Argentinian, Astor Piazzolla’s  Nuevo Tango… […]

Hungary

  To the folksong collector during the first decade of the twentieth century Hungary afforded immeasurable opportunity. It is true that the isolated mediæval pattern of life of the peasantry had slowly changed… but peasant culture remained as it always had been, although economic and political conditions were completely altered. Nevertheless, when Bartók and Kodály […]