Sonate pour piano?

Can you think of a famous late nineteenth/early twentieth century French piano sonata? If you drew a blank, don’t worry, it’s not all that surprising – the list of composers who didn’t write one reads like a Who’s-Who of French music of the fin de siècle: Gounod, Massenet, Saint-Saëns, Chabrier, Fauré, Chausson, Debussy, Satie, Ravel […]

Nocturnes vs. Barcarolles

Solo piano music forms a large part of Fauré’s output. And, while there are pieces with such titles as ‘impromptu’ and ‘valse-caprice’, the greatest body of work (26 opuses in all) is collected together under two headings: Nocturnes and Barcarolles. The initial stimulus for these is clearly derived from Chopin, as is the musical style […]

Requiem: Requiescat in pace?

Unusually, it’s the pace (peace) word that’s predominant in Fauré’s setting of the Requiem, the Mass for the Dead. Many composers – Mozart, Berlioz, Verdi, to name but the most famous – seem to have taken a certain grisly and theatrical delight in portraying the terrors of the Day of Judgement as depicted in the […]

Clair de lune

Moonlight. Verlaine’s poetry translated by Fauré & Debussy …Au calme clair de lune triste et beau, Qui fait rêver les oiseaux dans les arbres Et sangloter d’extase les jets d’eau, Les grands jets d’eau sveltes parmi les marbres. Paul Verlaine: Clair de lune from Fêtes galantes […In the calm moonbeams, sad and beautiful, Which make […]